Chapter 365 Fish eating posts
Huang Wanglin smiled and said, "You should keep this treasure handed down by your ancestors for yourself." It's not that he doesn't like it, but he has a principle that he will not accept things of unknown origin.
When the two of them were appreciating the jade scorpion, Xu Chunliang was attracted by the keels inside, and found that Huang Wanglin had collected a lot of keels. After thinking about it, it was very normal. After all, Huang Wanglin was born in Chinese medicine, and he himself loves collecting, and lacks knowledge of cultural relics. Unlike my grandfather, the keel is just a medicine in the eyes of my grandfather, but it is a cultural relic in the eyes of Mr. Huang.
Pu Jian was thinking about how to speak to Huang Wanglin, when he found that Xu Chunliang was missing, he wondered where did he go? Don't help me talk.
Huang Wanglin smiled and said: "Then you continue to visit, I have other guests."
Pu Jian originally wanted to transfer the jade cup to Huang Wanglin at a discounted price, which was equivalent to giving him a big gift, so that he could ask for it, but Huang Wanglin was not interested in his jade cup, so the next step would be bad Talk, speak directly, and nine out of ten people will refuse.
Now that things are up to now, Pu Jian can only bite the bullet and say: "San Ye stay, I still have one..."
At this time Xu Chunliang came back: "Third Master, there are many mistakes in your translation of the oracle bone inscriptions!"
One sentence immediately aroused Huang Wanglin's interest: "Young man, the translations marked here are all certified by experts and scholars."
Xu Chunliang said: "Are you an expert on the horns?"
Pu Jian secretly groaned, this guy's words are too unpleasant, we are here to ask for help, not to pick on people's faults, and Huang Sanye is also an expert in cultural relics appreciation.
Huang Wanglin laughed loudly: "Go, show me."
Xu Chunliang came to the Oracle Bone Inscriptions Museum together with him, and stood in front of the first exhibit. The exhibition method here is to attach rubbings and translations next to the original, so that the audience can compare the photos.
On this exhibit alone, Xu Chunliang pointed out five mistakes in translation.
After hearing what he said, Huang Wanglin felt Xu Chunliang's translation was more reliable, and felt a little strange. How could he have such a research on oracle bone inscriptions at such a young age? Is this kid a paleographer?
Xu Chunliang said: "I also know one domestic oracle bone inscription expert. He is Bai Mushan from Nanjiang Normal University."
Huang Wanglin said: "I also recognize Professor Bai. He opened a keel museum in Nanjiang. I was invited to visit it when it opened."
"Mr. Huang, many of these oracle bone inscriptions are keel bones collected in the past when he was practicing medicine, right?"
Huang Wanglin said: "That's right, my main job in the past was practicing medicine, so I came into contact with a lot of keels. Speaking of which, I was first interested in collecting from keels."
Xu Chunliang said: "Coincidentally, my family also runs a medical clinic."
Huang Wanglin chatted with him. The reputation of Huichuntang was limited to the Dongzhou area, so Huang Wanglin had no impression of Huichuntang, but he appreciated Xu Chunliang's research on oracle bone inscriptions, so he naturally had a high regard for this young man.
Huang Wanglin deliberately selected a few uncommon oracle bone inscriptions to ask Xu Chunliang for advice, and Xu Chunliang immediately helped him solve them. In this way, Huang Wanglin was completely convinced of Xu Chunliang's level.
Pu Jian didn't have much research on oracle bone inscriptions, so he couldn't get in the middle of the conversation, but seeing Huang Wanglin and Xu Chunliang chatted well, he sighed in his heart, this little brother is too powerful, both civil and military, and his background is also extraordinary. You are a nobleman, this brother can be dealt with, and he has to pay.
Huang Wanglin just said that there were other guests was just an excuse, but now he has completely forgotten about that matter, and offered to invite them to the reception room for tea.
When the three of them were walking towards the reception room together, Xu Chunliang saw a "Fish Eating Post" when they passed the painting and calligraphy exhibition hall.
Book: The old monk ate fish in Changsha, and when he came to Chang'an City, he ate a lot of meat, and was laughed at by Changliu. Also report to the lords, if you want to promote a good meeting, you should get help. Nine days Huai Su Zang Zhenbai.
Among them, Shu and Jiu are incomplete. "Shiyu Tie" is also known as "Fish Fish and Meat Tie", which was written by monk Huai Su, Cao Sheng. There are "Hanzi Banyin", "Junsima Yin", "Zhao's Ziang", "Xiang Yuan Bian Yin" and other seals. In front of the post, there is an inscription "Han Zhen" written by Mi Hanwen as the welcome head, and on the front of the post, there is a small letter mark of "Tang Huaisu cursive script eating fish post" in Xiang Yuanbian's handwriting.
Calligraphy is elegant and mellow, free and unrestrained, the pen and ink are wonderful and moving, flexible in operation, and properly pressed. It is generally recognized that Huai Su's cursive script has the tendency of "frightening snakes and running away, and sudden rain and strong wind".
Huai Su's old friend Lu Yu, the tea sage, also praised him for "the ancient style of cursive script is abundant".
Huang Wanglin saw Xu Chunliang stop, and knew that it was this "Fish Eating Post" that attracted his attention. This "Fish Post" can be said to be one of his treasures.
Xu Chunliang said: "With all due respect, it is not the original work, it should be a Song Dynasty copy."
Pu Jian sighed secretly in his heart, this guy really didn't agree with what he heard, the treasure of the town hall, do you think it is a copy? That is to say, Mr. Huang has a good temper, so someone else asked the security guard to throw them out.
Huang Wanglin was not angry, and continued: "How can you see it?"
Xu Chunliang said: "Huaisu's cursive script is thin and strong, and it moves naturally, like a whirlwind in a shower, changing at will. Calligraphy is free and easy, ever-changing, and has the law. However, in his later years, his style has undergone obvious changes. Gradually changing from violent and flying to steady Anya, the composition of the brushwork is more connotative. This calligraphy is his work in his later years, but the style and momentum of the brushwork are more like when he was young. I think the age of the real author of this calligraphy should be Not more than twenty years old."
Huang Wanglin said: "From this aspect alone, you can conclude that it is a copy?"
Xu Chunliang said: "If you look carefully, you can find that the strokes are a bit sluggish, and there are traces of retracement in the dry brush. It should be a half-copy and half-copy book, but the sketching skills are extremely superb, and the combined strokes remain nostalgic. The Face of Calligraphy."
Huang Wanglin was secretly surprised that this young man had extraordinary insight. This calligraphy is a Tang Dynasty copy. As far as ancient works are concerned, the early copy has the same important academic value as the original.
Even if it is a copy, if it is auctioned now, its market price should not be less than 50 million.
Huang Wanglin said: "I didn't expect you to have such research on calligraphy collection at such a young age."
Xu Chunliang secretly laughed in his heart. He was not good at commenting on other things, so he said that the "Fish Fish Post" in Linzhengtang's collection was copied when he was seventeen years old. Can you not see it? Unexpectedly, after traveling to the present era, I can still encounter my old work, and I have mixed feelings in my heart for a while.
When they came to the reception room, Huang Wanglin personally poured tea for them, and the walls of the reception room were covered with photos and inscriptions of the visiting guests.
Xu Chunliang found a lot of celebrities from the photo wall, including Zhou Renhe, the founder of Renhetang. Xu Chunliang looked at this old guy who deceived the world and stole his name, and felt very unhappy. When he returned from the capital this time, he must put The matter of Renhetang should be calculated carefully.
There is also a large book table in the reception room, which is convenient for guests who come to write inscriptions and draw.
Huang Wanglin said: "Mr. Xu, just now I heard that you have a deep understanding of calligraphy, so I wonder if you would take the time to give calligraphy."
Pu Jian heard Huang Wanglin call Xu Chunliang Mr. Xu, which shows that he attaches great importance to him. Anyway, he does not have such treatment.
Xu Chunliang smiled and said: "Third Master, you are welcome, you can call me by my name, you can call me Xiao Xu." He did not refuse, and went directly to the desk and chose a piece of rice paper.
Huang Wanglin’s pen, ink, paper and inkstone here are all top-grade. Xu Chunliang researches ink by himself, and the process of researching ink is also a process of entering the state.
Huang Wanglin was even more surprised when he saw Xu Chunliang's soothing movements, as if he had entered a world of selflessness and no one else alone. How could such a young man achieve such a detached state of mind?
Xu Chunliang twisted the brush, adjusted his breathing, and wrote vigorously after soaking in thick ink.
Huang Wanglin only looked at the old characters at the beginning, and knew that Xu Chunliang wrote "Fish Fish Post", eight lines and fifty-six characters were written in one go, and the rhythm of the breathing and heartbeat of the two bystanders followed Xu Chunliang's strokes. Fast and slow, when Xu Chunliang finished writing the last white character, the two of them breathed freely, and the whole body felt comfortable for a while.
Pu Jian then shivered as if he was urinating. He realized that he, a layman in calligraphy, was so excited by Xu Chunliang's calligraphy. Although Pu Jian couldn't say three, two, one, the feeling from the lower body was unmistakable. .
Now Huang Wanglin finally understands why Xu Chunliang can tell at a glance that the "Food Fish Post" he collected is a copy. He is really good. Huang Wanglin has written brush calligraphy all his life, but when he saw Xu Chunliang's handwriting, he suddenly felt a little bit Ashamed of myself.
Xu Chunliang paused for a moment, and put his name and date on the signature.
Huang Wanglin stared at it for a long time, full of emotions. Xu Chunliang copied it, but it was too difficult to copy it to the point of both form and spirit. Regardless of the texture and color of the paper, Huang Wanglin could not see Xu Chunliang's copy in terms of calligraphy alone. Which is higher and which is lower than the Song Dynasty copy which I regard as the treasure of the town hall.
Huang Wanglin invited them to sit down and drink tea.
Xu Chunliang just said the purpose of their visit at this time. Pu Jian found that Xu Chunliang was really interesting. He originally proposed to come here, but he said that it would be more effective than Xu Chunliang. After all, Huang Wanglin admired him, and Xu Chunliang Chunliang gave Huang Wanglin a piece of "Fish Eating Post" with the inscription. Although Pu Jian didn't understand the market, he could also see that this piece of writing was worth a lot of money.
After hearing what Xu Chunliang had said, Huang Wanglin immediately agreed. He had heard about Liu Kui's group's bad deeds, but Huang Wanglin seldom interfered in such affairs. He is a collector himself, so it is inevitable to deal with such people.
Huang Wanglin would not call the police to arrest someone who was bluffing with fake goods, after all, he is in this business, and he does not see people who look up. With Huang Wanglin's vision and prestige, generally speaking, no one would come to the door to make trouble. After all, no one would dare to provoke such a prominent figure in the industry.
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(end of this chapter)